| Season | Start Date | Play | Role | Notes |
|---|---|---|---|---|
| #6 1974-1975 | 13 Mar 1975 | A Shot In The Dark | GUARD | |
| #5 1973-1974 | 17 Jan 1974 | The Importance of Being Earnest | MERRIMAN, BUTLER TO MR. WORTHING | |
| #4 1972-1973 | 15 Feb 1973 | The Remarkable Mr. Pennypacker | POLICEMAN | |
| #3 1971-1972 | 6 Jun 1972 | The Happy Journey | STAGE MANAGER | |
| #3 1971-1972 | 15 Jan 1972 | The Ugly Duckling | CARLO |
| Season | Start Date | Play | Position | Notes |
|---|---|---|---|---|
| #7 1975-1976 | 6 Nov 1975 | After Magritte | Sound Design | |
| #7 1975-1976 | 6 Nov 1975 | The Real Inspector Hound | Sound Design | |
| #5 1973-1974 | 16 May 1974 | The Tunnel Of Love | Sound Design | |
| #5 1973-1974 | 26 Jan 1974 | Igor and the Time Machine | Sound Effects | |
| #5 1973-1974 | 3 Nov 1973 | Snow White and Rose Red | Sound Design | |
| #4 1972-1973 | 12 Apr 1973 | Separate Tables | Box Office | |
| #4 1972-1973 | 2 Nov 1972 | The Mousetrap | Sound Design | |
| #3 1971-1972 | 5 Apr 1972 | Half Way Up The Tree | Sound Design | |
| #3 1971-1972 | 15 Jan 1972 | The Ugly Duckling | Sound Design | |
| #3 1971-1972 | 15 Jan 1972 | A Resounding Tinkle | Sound Design | |
| #0 1968-1969 | 12 Apr 1969 | Rise And Shine | Music Coordinator | |
| #0 1968-1969 | 12 Apr 1969 | Lady-Killers | Music Coordinator |